bryceluxe (via rainier)
February 10th, 2010 | 122 notes | Permalink | Reblog from
Polaroid by Jung Hwajin

Polaroid by Jung Hwajin

February 10th, 2010 | 268 notes | Permalink | Reblog from
529: eclecticus: gargouilles: by Rodney Smith

529eclecticusgargouilles: by Rodney Smith

February 10th, 2010 | 27 notes | Permalink | Reblog from
TT

TT

February 9th, 2010 | 27 notes | Permalink | Reblog from
inkyeagle:

ctrl-alt-del tea set

inkyeagle:

ctrl-alt-del tea set

February 9th, 2010 | 17 notes | Permalink | Reblog from
 The Gates Notes
February 9th, 2010 | Permalink
Chocri Customized Chocolate Bars
February 9th, 2010 | Permalink
This work addresses life and the signs of life. The most immediate sign of life is movement. Its purpose is to honor each individual as seen through human activity. Unremarkable or normally unnoticed movement patterns are rendered visible through oscillographic or seismograph-like drawings done in real time in real life. That which is tracked is vitality, the visible pulse of life. That which is alive, moves. The process is interactive. O’Hara works from the premise that while observing and transmitting the movement of a chosen subject, there is a temporary escape from the isolation of dualistic thinking. Anyone who observes the process begins to see more consciously. The best LIVE TRANSMISSIONS occur when the role of observer-participant and participant-observer merge. The drawing on paper remains in life much in the way that a footprint on the beach takes its place. The drawing is a bit more material than a heartbeat but resembles it in its circular flow. Movement produces life produces movement. This work began as a search for relationship and meaning.– Morgan O’Hara

This work addresses life and the signs of life. The most immediate sign of life is movement. Its purpose is to honor each individual as seen through human activity. Unremarkable or normally unnoticed movement patterns are rendered visible through oscillographic or seismograph-like drawings done in real time in real life. That which is tracked is vitality, the visible pulse of life. That which is alive, moves. The process is interactive. O’Hara works from the premise that while observing and transmitting the movement of a chosen subject, there is a temporary escape from the isolation of dualistic thinking. Anyone who observes the process begins to see more consciously. The best LIVE TRANSMISSIONS occur when the role of observer-participant and participant-observer merge. The drawing on paper remains in life much in the way that a footprint on the beach takes its place. The drawing is a bit more material than a heartbeat but resembles it in its circular flow. Movement produces life produces movement. This work began as a search for relationship and meaning.
– Morgan O’Hara

February 9th, 2010 | Permalink

Goudy Bookletter 1911made by Barry Schwartz Based on Frederic Goudy’s Kennerley Oldstyle. This font predates the League and is in the public domain. A few words on why I think Kennerley Oldstyle is beautiful: In making this font, I discovered that Kennerley fits together tightly and evenly with almost no kerning. Thus the following words from Monotype specimen books are just: “[W]hen composed into words the characters appear to lock into one another with a closeness common in early types, but not so often seen in later-day creations.” These are letters that take command of the space around them; notice, for instance, the bowed shapes of the v and w.

February 9th, 2010 | Permalink
"And if you graduate this summer and haven’t arranged anything, just try to wheedle some money from your parents and buy a one-way ticket to Bombay/Dakar/Shanghai/La Paz. I spoke to someone recently who more-or-less did that after my first Win-a-Trip (he flew to Bangkok) and had the time of his life, a truly transformative experience. So just do it…."
February 8th, 2010 | 2 notes | Permalink
"It has been my experience that those with no vices have very few virtues."
February 8th, 2010 | Permalink

bobulate:

Frank Chimero has been taking and responding to questions on his blog. Each one is pretty wonderful. On developing style:

Figure out what you want to SAY. That is what’s important. The lipstick doesn’t keep the pig alive. The guts do. Message dictates the proper aesthetic.

I was reminded of quotations from Matthew Arnold,“Have something to say, and say it as clearly as you can. That is the only secret of style.” And Orwell, “The great enemy of clear language is insincerity.”

Clear language, rather clarity — in voice, in thinking, in intention, in craft — is the most attractive style of all.

Just one more, (then link away to read them all really). On what it means to “study:”

To study means to spend time with something. Music and books have the benefit of having the qualities of time baked in to them. I can’t experience November Rain in 2 minutes. I can’t watch Citizen Kane in 20 minutes. Infinite Jest is a bonding experience because it asks so much.

Visuals don’t have time baked in to them. … I don’t think most design blogs are places for study. … If a design blog were made in to a successful place for study, it’d be in spite of the format’s temporal qualities, not because of it.

Whether your study is books, visuals, films, something else, or it all at once, I believe in finding enforced listening moments. In music, intentional pauses can be woven into the sound, but in other media, I believe we can find and create them. Pauses, more intentional space, may allow for time to study.

February 8th, 2010 | 11 notes | Permalink | Reblog from