“Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with.”

Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with.”

July 18th, 2010 | 22 notes | Permalink | Reblog from
Hotel Viura, Rioja Alavesa

Hotel Viura, Rioja Alavesa

July 16th, 2010 | 103 notes | Permalink | Reblog from
Marina Bay Sands

Marina Bay Sands

July 16th, 2010 | 2,536 notes | Permalink | Reblog from
The Human Clock - A Clock Photo for Every Minute of the Day
July 14th, 2010 | Permalink
Kitchen Light

Kitchen Light

July 12th, 2010 | 375 notes | Permalink | Reblog from
“Rethink the way we consume coffee and present solutions that strive to reduce paper cup waste. We are not looking for just another reusable cup design. Think beyond just the vessel for carrying coffee, and develop a way to cause behavior change at a massive scale.” (via Redesigning the Coffee Cup)

“Rethink the way we consume coffee and present solutions that strive to reduce paper cup waste. We are not looking for just another reusable cup design. Think beyond just the vessel for carrying coffee, and develop a way to cause behavior change at a massive scale.” (via Redesigning the Coffee Cup)

July 12th, 2010 | Permalink
July 12th, 2010 | 1 note | Permalink

“Steven Holl asks the same question of architecture that Merleau- Ponty asks of philosophy . Can the ambulating sentient being embedded as he or she is in the matrix of concretized values as they are inscribed in that being experience and understand seeing in a context articulated for that purpose? How can a building such as Kiasma, function simultaneously as the “frame” of the experience of and for visual art and as an embodiment of the very process of seeing. For Holl like Ponty uses the analogy of the optic chiasm with its “inflected” decussating fiber structure which appropriates the visual field like a highway cloverleaf, allowing each hemifield to be conjoined, left side to right sided brain and right side to left side of the brain, to serve a as model to appropriate the entire visual apparatus including the eye and the folded surface of the brain, for his purpose. Holl uses each element of the building as another opportunity to deal with the structure of light and its processing: the building operates as a kind of surrogate for the eye. On the first level of analysis there is the light catching section, functioning somewhat like a pupil, which captures the warm light of the a horizontal sun and diffuses it through carefully oriented apertures and there is the “sun path reversal” in which the building, like gaze movements of the eye, follows a reverse path of the sun’s path between 11 am and 6 p.m… Coextensive with these aforementioned qualities of seeing is the process by which seeing becomes other. Seeing is evaluated in terms of itself and is analyzed as process. Thus Kiasma reveals a succession of curved enframed structures as rooms in which the different qualities of light are created because the light enters each room in many different ways: in the journey from one room to the next we experience the transformation of light as data.”

July 11th, 2010 | Permalink
David Stephenson
July 10th, 2010 | 59 notes | Permalink | Reblog from
Metal Doors

Metal Doors

July 10th, 2010 | 16 notes | Permalink | Reblog from
"The best way to predict the future is to design it."
Buckminster Fuller
July 9th, 2010 | 93 notes | Permalink | Reblog from
Des clous et de la ficelle…! Très jolie recherche typographique signée Zim & Zou. L’utilisation de la ficelle nécessite un grand respect des proportions et des courbes.” (via Design - Weave Type by Zim & Zou)

Des clous et de la ficelle…! Très jolie recherche typographique signée Zim & Zou. L’utilisation de la ficelle nécessite un grand respect des proportions et des courbes.” (via Design - Weave Type by Zim & Zou)

July 7th, 2010 | 3 notes | Permalink