Somewhere along the way I had also lost interest in the idea of a single weight and drawn a thin version. After it was done I harmonized the two and interpolated a regular weight, which needed a serious overhaul to fix problems caused by interpolating from extremes. By the time I was happy with the roman masters and knew they would interpolate properly it was mid-October, and with designers wrapping up their holiday ad work it seemed like a bad time to release a new typeface. So I started on the italics, and got through January developing the complete twelve-font family. (via Designing Armitage | i love typography, the typography and fonts blog)